DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
DISRUPTION
We are
We are
We are
We love animals. That sounds cliché until you meet the shelter kitty who sneezes thirty times in a row, or hear about the dog who, without exaggeration, saved one of our lives.
Our work with animals on set runs deep. We've cast trained animals and real pets across dozens of productions, and we work with the best animal trainer in Texas. For Trico, we cast over 30 animals in a single spot — including the flying King Charles spaniel to the left. Other spots have called for the opposite: quiet, intimate work with one animal. And beyond casting, we make sure every shoot is an ethical one, whether that's a colony of bees, a turtle on a toilet, a horse with a cancer patient, or dogs rigged into safe pulley systems for VFX.
For this project especially, we're looking to help cast animals who don't just look great on camera alongside their owners, but who read as authentic and take direction naturally in their own homes. Traditional casting and a real-people approach aren't mutually exclusive, and we know how to bridge the two.
We love animals. That sounds cliché until you meet the shelter kitty who sneezes thirty times in a row, or hear about the dog who, without exaggeration, saved one of our lives.
Our work with animals on set runs deep. We've cast trained animals and real pets across dozens of productions, and we work with the best animal trainer in Texas. For Trico, we cast over 30 animals in a single spot — including the flying King Charles spaniel to the left. Other spots have called for the opposite: quiet, intimate work with one animal. And beyond casting, we make sure every shoot is an ethical one, whether that's a colony of bees, a turtle on a toilet, a horse with a cancer patient, or dogs rigged into safe pulley systems for VFX.
For this project especially, we're looking to help cast animals who don't just look great on camera alongside their owners, but who read as authentic and take direction naturally in their own homes. Traditional casting and a real-people approach aren't mutually exclusive, and we know how to bridge the two.
We love animals. That sounds cliché until you meet the shelter kitty who sneezes thirty times in a row, or hear about the dog who, without exaggeration, saved one of our lives.
Our work with animals on set runs deep. We've cast trained animals and real pets across dozens of productions, and we work with the best animal trainer in Texas. For Trico, we cast over 30 animals in a single spot — including the flying King Charles spaniel to the left. Other spots have called for the opposite: quiet, intimate work with one animal. And beyond casting, we make sure every shoot is an ethical one, whether that's a colony of bees, a turtle on a toilet, a horse with a cancer patient, or dogs rigged into safe pulley systems for VFX.
For this project especially, we're looking to help cast animals who don't just look great on camera alongside their owners, but who read as authentic and take direction naturally in their own homes. Traditional casting and a real-people approach aren't mutually exclusive, and we know how to bridge the two.
Every story deserves its own approach, but our philosophy never changes. Disruption is a production partner built on collaboration, precision, and people-first leadership and we believe extraordinary work begins with extraordinary people.
We simplify the production process, cultivate meaningful collaboration, and create environments where artists, clients, and crews can do their best work. From the first conversation to the final frame, we build productions rooted in trust, curiosity, and thoughtful execution—because the way a story is made is just as important as the story itself.
Every story deserves its own approach, but our philosophy never changes. Disruption is a production partner built on collaboration, precision, and people-first leadership and we believe extraordinary work begins with extraordinary people.
We simplify the production process, cultivate meaningful collaboration, and create environments where artists, clients, and crews can do their best work. From the first conversation to the final frame, we build productions rooted in trust, curiosity, and thoughtful execution—because the way a story is made is just as important as the story itself.
Every story deserves its own approach, but our philosophy never changes. Disruption is a production partner built on collaboration, precision, and people-first leadership and we believe extraordinary work begins with extraordinary people.
We simplify the production process, cultivate meaningful collaboration, and create environments where artists, clients, and crews can do their best work. From the first conversation to the final frame, we build productions rooted in trust, curiosity, and thoughtful execution—because the way a story is made is just as important as the story itself.
The strongest work comes from environments where creativity is empowered to thrive. Together, we transform complex productions into seamless experiences that create meaningful, lasting impact.
The strongest work comes from environments where creativity is empowered to thrive. Together, we transform complex productions into seamless experiences that create meaningful, lasting impact.
The strongest work comes from environments where creativity is empowered to thrive. Together, we transform complex productions into seamless experiences that create meaningful, lasting impact.
Madeleine L. Beck
EXECUTIVE PRODUCER
Madeleine L. Beck
EXECUTIVE PRODUCER
Madeleine L. Beck is a producer and operational leader who believes the way a production feels directly shapes the work it creates. Her career has moved through some of reality television’s biggest hits, ESPN’s College GameDay, commercial campaigns, and music videos for artists including Ella Langley, Koe Wetzel, Treaty Oak Revival, and Cure for Paranoia.
Across every format, Madeleine has built a reputation for bringing clarity to complexity, protecting the creative, and creating environments where crews can do their strongest work. She also serves as Director of Operations for Pegasus Media Project. For Madeleine, producing is more than moving a project from concept to completion. It is the practice of aligning people, purpose, and process so that exceptional work can happen without sacrificing the people behind it.
Madeleine L. Beck is a producer and operational leader who believes the way a production feels directly shapes the work it creates. Her career has moved through some of reality television’s biggest hits, ESPN’s College GameDay, commercial campaigns, and music videos for artists including Ella Langley, Koe Wetzel, Treaty Oak Revival, and Cure for Paranoia.
Across every format, Madeleine has built a reputation for bringing clarity to complexity, protecting the creative, and creating environments where crews can do their strongest work. She also serves as Director of Operations for Pegasus Media Project. For Madeleine, producing is more than moving a project from concept to completion. It is the practice of aligning people, purpose, and process so that exceptional work can happen without sacrificing the people behind it.
Ryan Blitzer
EXECUTIVE PRODUCER
Ryan Blitzer
EXECUTIVE PRODUCER
To disrupt the industry as it stands, Ryan Blitzer brings kindness, communication, and consistently excellent work to every job he works. His work in producing and managing over $30 million in project budgets for brands such as Dick's Sporting Goods, Girl Scouts, CeraVe, Wingstop, Children's, and more reflects his discipline in details and creative execution.
His passions also extend to training the next generation of artists, which he accomplishes as the Managing Director for Pegasus Media Project, teaching an internationally recognized media apprenticeship program. It matters that we not only train good people, but create a better film industry for the future — this is what true precedence setting is all about.
To disrupt the industry as it stands, Ryan Blitzer brings kindness, communication, and consistently excellent work to every job he works. His work in producing and managing over $30 million in project budgets for brands such as Dick's Sporting Goods, Girl Scouts, CeraVe, Wingstop, Children's, and more reflects his discipline in details and creative execution.
His passions also extend to training the next generation of artists, which he accomplishes as the Managing Director for Pegasus Media Project, teaching an internationally recognized media apprenticeship program. It matters that we not only train good people, but create a better film industry for the future — this is what true precedence setting is all about.
Your Team
Your Team
Production
Experience
Production Supervision
Experience
Production
Experience
We've been disrupting the industry for as long as we've been in it; our work here showcases some of the work we've done as producers and production supervisors with other companies. We've worked on stills, commercials and music videos with budgets up to $10 million.
We've been disrupting the industry for as long as we've been in it; our work here showcases some of the work we've done as producers and production supervisors with other companies. We've worked on stills, commercials and music videos with budgets up to $10 million.
For OBB - stills & motion - Production Supervisor
You know that when they say they want Kevin Durant's legs to go on…and on… and on… and on… it's going to be a fun piece. Some giant billboards in Times Square on the stills side and just as much fun viral social media work on the motion side create disruption in multiple categories.
For OBB - stills & motion - Production Supervisor
You know that when they say they want Kevin Durant's legs to go on…and on… and on… and on… it's going to be a fun piece. Some giant billboards in Times Square on the stills side and just as much fun viral social media work on the motion side create disruption in multiple categories.
For ArtClass - motion - Production Supervisor
Our animal trainer said that this commercial may have procured the most cats and dogs for a single commercial she’s worked on! Filming on location with special FX, construction builds, cars, and of course 30 dogs and cats, is a unique amalgamation of challenges that in it's own right, is disruptive.
For ArtClass - motion - Production Supervisor
Our animal trainer said that this commercial may have procured the most cats and dogs for a single commercial she’s worked on! Filming on location with special FX, construction builds, cars, and of course 30 dogs and cats, is a unique amalgamation of challenges that in it's own right, is disruptive.
For The Cut - stills - Production Supervisor
This wasn't simply a photoshoot—it was a collision of global artistry. We synchronized the international movement of a renowned photographer, Zhong Lin. When creativity spans continents, talent that is timelessly talented, production becomes more than scheduling—it becomes the invisible force that allows bold ideas to exist. Disruption isn't chaos. It's building the infrastructure that lets visionary work happen, then making it look effortless.
For Not Normal Films - stills & motion - Producer
Our love of working with amazing people extends to who is working in front of the camera. Our real girl scouts were driven to create authentic moments that they have experienced themselves while being girl scouts.
For OBB - stills and motion - Production Supervisor
Four cities, four weeks, with four (actually five) celebrity talent. This project was unique in that the set of spots combined commercial, reality, and interactive design; customers were able to go to each of the stores we shot in and interact with the built set dressing throughout the holidays.
For OBB - stills and motion - Production Supervisor
Four cities, four weeks, with four (actually five) celebrity talent. This project was unique in that the set of spots combined commercial, reality, and interactive design; customers were able to go to each of the stores we shot in and interact with the built set dressing throughout the holidays.
For Whale Tale Music - motion - Production Supervisor
Serving as Production Supervisor on Ella Langley's Choosin' Texas became proof that culture is built from the inside out. Over 187 local crew members came together to create one of the year's most celebrated music videos— fair pay, genuine collaboration, and respect created an environment where people left more energized than when they arrived. For us, those numbers are a byproduct. The real success was proving that when you invest in people, extraordinary work follows.
For Whale Tale Music - motion - Production Supervisor
Serving as Production Supervisor on Ella Langley's Choosin' Texas became proof that culture is built from the inside out. Over 187 local crew members came together to create one of the year's most celebrated music videos— fair pay, genuine collaboration, and respect created an environment where people left more energized than when they arrived. For us, those numbers are a byproduct. The real success was proving that when you invest in people, extraordinary work follows.
PARTNERSHIP
PARTNERSHIP
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(1)
The best ideas aren't built in isolation. We become an extension of your team—bringing strategy, creativity, and execution together to solve the challenges worth solving. With our experience across many types of sets, we bring together the best of both animal sets, and non-animal sets! Flying dogs, included.
The best ideas aren't built in isolation. We become an extension of your team—bringing strategy, creativity, and execution together to solve the challenges worth solving. With our experience across many types of sets, we bring together the best of both animal sets, and non-animal sets! Flying dogs, included.
INNOVATION
INNOVATION
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Innovation isn't novelty. It's the courage to rethink what everyone else accepts as normal. Together, we uncover new ways to tell stories that move industries forward, especially if that means we can develop processes that, for example, bring traditional casting and animal casting together.
Innovation isn't novelty. It's the courage to rethink what everyone else accepts as normal. Together, we uncover new ways to tell stories that move industries forward, especially if that means we can develop processes that, for example, bring traditional casting and animal casting together.
IMPACT
IMPACT
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Great ideas don't end when production wraps. They create measurable change—for brands, for businesses, and for the people (and pets) they serve.
Great ideas don't end when production wraps. They create measurable change—for brands, for businesses, and for the people (and pets) they serve.
Disruption doesn't stop when we leave set, or finish exciting work with a client. In fact, our involvement with Pegasus Media Project is creating the foundation for what a thriving arts community looks like in Dallas, and beyond.
Pegasus Media Project champions diversity with a holistic perspective in transformative storytelling in film and media arts, empowering diverse communities with comprehensive education, collaborative works, and career pathways.
We involve our apprentices, who are disrupting the film industry on their own, in all of our projects. Our work earned us the 2026 Global Production Award for Economic and Social Impact in Cannes, France in collaboration with the Dallas Film Commission.
Disruption doesn't stop when we leave set, or finish exciting work with a client. In fact, our involvement with Pegasus Media Project is creating the foundation for what a thriving arts community looks like in Dallas, and beyond.
Pegasus Media Project champions diversity with a holistic perspective in transformative storytelling in film and media arts, empowering diverse communities with comprehensive education, collaborative works, and career pathways.
We involve our apprentices, who are disrupting the film industry on their own, in all of our projects. Our work earned us the 2026 Global Production Award for Economic and Social Impact in Cannes, France in collaboration with the Dallas Film Commission.
Disruption doesn't stop when we leave set, or finish exciting work with a client. In fact, our involvement with Pegasus Media Project is creating the foundation for what a thriving arts community looks like in Dallas, and beyond.
Pegasus Media Project champions diversity with a holistic perspective in transformative storytelling in film and media arts, empowering diverse communities with comprehensive education, collaborative works, and career pathways.
We involve our apprentices, who are disrupting the film industry on their own, in all of our projects. Our work earned us the 2026 Global Production Award for Economic and Social Impact in Cannes, France in collaboration with the Dallas Film Commission.